The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was most likely modest ╩ even to assume that the publishing occurred without hisauthorization - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, consisting of three movements and with the participation of a single Soloist. This critical edition ╩ mainly based on the firstprinted edition an