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Michna z Otradovic, Adam Václav: Sacra et litaniae - pars VII, VIII, IX 12

Litaniae de SS. nomine Jesu, Litaniae B. M. V., Te deum

complete edition

Edited by Belský, V.
Zasedba: 2V/4Va/2Voc.-Solo/Mixed choir-SATB/Bc/Org
Weight: 0.774 kg
Založba: Bärenreiter
Številka artikla: H7997
Založniška številka: H07997
ISMN: 9790260104150
Adam Michna z Otradovic (1600 - 1676), a contemporary of Schütz and Carissimi, is regarded as the most remarkable figure of Czech art in the 17th century. Apart from having been an outstanding composer of both simple church songs and sophisticated figural works, he also left to posterity a highly individual output of verse. His entire known production was inspired exclusively by the world of Catholic spirituality. The twelfth volume of a new complete edition of his works contains Litaniae de SS. nomine Jesu, Litaniae B.M.V., and Te Deum. This is the final part of Michna´s most extensive collection of sacred music, Sacra et litaniae, comprised of six masses, two litanies, and a Te Deum.
The collection´s individual compositions probably date from different periods. For its part, the Sacra et litaniae was first published in 1654, like most of Michna´s production by the Academic Print of the Clementinum in Prague. The Litaniae de SS. nomine Jesu is economical in terms of duration, and is characterized by restrained expression, with the alternation of tutti, concertante soli and double choir, that last feature assigning it a solemn note. The vocal combination requires two four-voice choirs (each with four "proper" soloists), the prescribed instrumental accompaniment consisting of two violins "cum aliis instrumentis ad libitum" - here, four violas. The Litaniae B.M.V. has a five-voice choir (with two sopranos) and soloists. The instrumental accompaniment consists of two violins, a viola, plus further optional instruments "ad libitum." The Te Deum for four-voice choir with soloists, two obbligato violins and three trombones ad lib., was written for a now unknown festival occasion.The publication is introduced by the informative preface by Jirí Sehnal and critical report (V. Belský).
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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