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Fišer, Luboš: Sonata V

for Piano

playing score

Zasedba: Piano
Zasedba: piano
Weight: 0.106 kg
Založba: Bärenreiter
Številka artikla: H7757
Založniška številka: H07757
ISMN: 9790260102989
Piano Sonata No. 5 was written in 1974. Stylistically, it moves on from works completed in the 1960s which betray a synthesis of Fišer's own musical language and the stimuli of New Music. With the exception of the final passage, the sonata exclusively applies the mode B flat-B-C-C sharp-F-F sharp-G, which was first used in a narrowed six-note form in 1965 in Fifteen Prints after Dürer's Apocalypse. Formally, the piece is arranged into short contrasting sections which are created from brief repetitive ostinato motifs. With minimal use of thematic and expressive material, the composer achieves effective dramatic abbreviation of the kind which culminated in works from the 1960s. This musical treatment is abandoned only in the final, lyrical part, which anticipates the future development of Fiser's musical language, leading to its simplification and overall dramatic reduction.
Piano Sonata No. 5 was first published in 1996 by Barenreiter Editio Supraphon Prague, in a re-print of a trans cription provided by the Czech Music Fund in whose preparation the composer was also involved at the time. The new edition consistently adheres to this authorised copy of the work, while confining itself to the correction of several apparent omissions and errors.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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