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Janáček, Leoš: Elegy on the Death of Daughter Olga - Cantata

Cantata for Tenor, Mixed Choir and Piano

vocal/choral score

Zasedba: Chor and Solo(s)
Zasedba: TSolo/Mixed choir-SATB/piano
Weight: 0.1 kg
Založba: Bärenreiter
Številka artikla: H2572
Založniška številka: H02572
ISMN: 9790260101425
Leos Janácek (1854-1928) composed the cantata Elegy on the Death of My Daughter Olga (1903) a mere two months after the loss of his beloved child. The title page bears his dedication 'In memory of my Olga'. The piece is composed to the Czech translation of the original Russian verses of his daughter's friend M. N. Veveritsa. The composer's intimate and sorrowful memory resounds in tenor solo, mixed choir and piano. The Elegy was not premiered until 27 years after its completion, and it is still unjustly considered a piece of marginal importance. The publication is introduced by a detailed Preface by Vladimír Helfert (Cz., Eng., Ger., Fr.). The lyrics are set in Czech, German and English.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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