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Bach, Johann Sebastian: Concerti a Cembalo obligato BWV 1052-1059

facsimile

Zasedba: Harpsichord
Obdobje: Baroque
Število strani: 152 strani
Založba: Bärenreiter
Številka artikla: BVK2472
Založniška številka: BVK02472
ISMN: 9783761824726
Music for a Leipzig 'coffee house' and for other venues - Johann Sebastian Bach composed not only for the nobility and the church, but also for bourgeois musical culture. Among these works are the harpsichord concertos. They are noted down in a manuscript that is a unique and probably the most important document for the instrumental repertoire of the Leipzig 'Collegium Musicum'.
Bach arranged his concerto movements in such a way that the harpsichord is given a solo part that exploits the instrument's 'clavieristic' possibilities to the full. These works thus fix a decisive moment in the early history of the piano concerto genre which received significant impulses from Bach and his circle of students.
The autograph offers revealing insights into the composer's working methods, elucidated by Christoph Wolff in an accompanying essay. Martina Rebmann describes the genesis of the Bach collection at the Staatsbibliothek zu Berlin, which holds the autograph.
The facsimile in high-qua lity four-colour printing reproduces the extensive score in its original size, BWV and bar numbers on every page facilitate its use.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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