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Händel, Georg Friedrich: Messiah II/40 /

Facsimile of the autograph score in the British Library, London

facsimile

Edited by Burrows, Donald
Obdobje: Baroque
Število strani: 352 strani
Weight: 2.566 kg
Založba: Bärenreiter
Številka artikla: BVK2109
Založniška številka: BVK02109
ISMN: 9783761824429
The first performance of George Frideric Handel's oratorio 'Messiah' on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined 'the Sublime, the Grand, and the Tender'. Its success has remained undiminished ever since, and the 'Messiah' has taken its place in musical life.
In 2009, to mark the 250th anniversary of Handel's death, the British Library and Barenreiter joined forces and made the autograph score of the 'Messiah' available to the public in a meticulously reproduced, lavishly published facsimile.
The renowned Handel scholar Donald Burrows introduces the characteristics of Handel's manuscript, describes the history of the work's composition, and explains the differences between later versions of the 'Messiah', as reflected in the conducting scores. A two-page sketch from the Fitzwilliam Museum Cambridge completes the publication.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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