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Isherwood, Nicholas: The Techniques of Singing
Book and CD
Using Berio's 'Sequenza III' as an example, Isherwood shows how a singer can learn such a work, step by step. The book also includes an overview of solo vocal repertoire and makes reference to pieces that might be suitable for a singer with little experience in the music of the 20th and 21st centuries.
Composers will also benefit from this book, thanks in particular to information on vocal registers, their limits and possibilities. In addition, the musical examples provide an insight into various notation possibilities.
Includes chapters on the following themes:
- From whispering to screaming
- The use of electronic amplification
- Micro-intervals
- Multiphonics
- Vibrato
- Register< br>- Flexibility
- Singing and acting
- Improvisation
The author
Bass-baritone Nicholas Isherwood is one of the leading singers of contemporary music around the world today. He has worked with many notable conductors, directors and composers, among them Bussotti, Carter, Crumb, Henze, Kagel, Kurtág, Messiaen, Scelsi, Stockhausen and Xenakis and has taken part in over 50 recordings. Isherwood is also an active composer, director and teacher.
"this volume is not only useful for singers, but also for composers and anyone who is interested in a history and summary of contemporary vocal techniques. Isherwood's ability to relate bel canto technique to the demands of works written since 1950 is ectremely useful, especially for singers who are exkloring avant garde music for the first time."
(Journal of Singing September/October 2014)
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
