Piano Moments Classical
(Ullrich, Christoph / Skipis, Andreas)
playing score
Every pianist wants to make the most of the great possibilities of his or her instrument, and to play something from the Baroque or the Classical-Romantic tradition.
The best-known works, the most beautiful compositions,unforgettable moments in music.
BÄRENREITER PIANO MOMENTS makes this possible in well-written, exquisite arrangements. These include Handel’s Largo , the first movement of Mozart’s G minor Symphony, the Moldau and theWedding March from Mendelssohn’s Midsummer Night
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1. | Vivace Hob. XVIII: 11 Concerto for piano [Haydn, Joseph] | |
2. | Poco Adagio cantabile Hob. XVIII: 77 Emperor Quartet [Haydn, Joseph] | |
3. | Andante Hob. I: 94 Surprise Symphony [Haydn, Joseph] | |
4. | Allegro KV 525 Eine kleine Nachtmusik [Mozart, Wolfgang Amadeus] | |
5. | Romanze KV 525 Eine kleine Nachtmusik [Mozart, Wolfgang Amadeus] | |
6. | Menuetto KV 525 Eine kleine Nachtmusik Mozart, Wolfgang Amadeus] | |
7. | Adagio KV 622 Concerto for Clarinet [Mozart, Wolfgang Amadeus] | |
8. | Andante KV 467 Concerto for Piano [Mozart, Wolfgang Amadeus] | |
9. | Molto Allegro KV 550 Symphony No. 40 [Mozart, Wolfgang Amadeus] | |
10. | Overture KV 384 The abduction from the Seraglio [Mozart, Wolfgang Amadeus] | |
11. | Reich mir die Hand, mein Leben KV 527 Don Giovanni [Mozart, Wolfgang Amadeus] | |
12. | Se vuol ballare Signor Contino KV 492 Le nozze die Figaro [Mozart, Wolfgang Amadeus] | |
13. | Non piu andrai farfallone amoroso KV 492 Le nozze die Figaro [Mozart, Wolfgang Amadeus] | |
14. | Der Vogelfänger KV 620 The Magic Flute [Mozart, Wolfgang Amadeus] | |
15. | Dies Bildnis ist bezaubernd schön KV 620 The Magic Flute [Mozart, Wolfgang Amadeus] | |
16. | Ein Mädchen oder Weibchen KV 620 The Magic Flute [Mozart, Wolfgang Amadeus] | |
17. | Allegro con brio op. 67 Symphony No. 5 [Beethoven, Ludwig van] | |
18. | Allegro ma non troppo op. 68 Symphony No. 6 [Beethoven, Ludwig van] | |
19. | Allegretto op. 92 Symphony No. 7 [Beethoven, Ludwig van] | |
20. | Freude schöner Götterfunken op. 125 Symphony No. 9 [Beethoven, Ludwig van] | |
21. | Rondo op. 61 Concerto for Violin [Beethoven, Ludwig van] | |
22. | Mach Fidelio [Beethoven, Ludwig van] | |
23. | Nimm sie hin denn, diese Lieder To the distant beloved [Beethoven, Ludwig van] | |
24. | Andante con moto D 929 Piano Trio [Schubert, Franz] | |
25. | Ave Maria D 839 [Schubert, Franz] | |
26. | Military March D 733 [Schubert, Franz] | |
27. | Der Lindenbaum D 911,5 Winter Journey [Schubert, Franz] | |
28. | The Trout D 550 [Schubert, Franz] | |
29. | Heidenröslein D 257 [Schubert, Franz] | |
30. | Ständchen D 957 Swan Song [Schubert, Franz] |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
