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Telemann, Georg Philipp: Concerto

for Violin and Orchestra

score

Edited by Baselt, Bernd
Zasedba: Violin and orchestra
Zasedba: V-Solo/Ob1/Ob2/Str/Bc
Serija: Bärenreiter Urtext
Obdobje: Baroque
Trajanje: 0:09
Weight: 0.083 kg
Založba: Bärenreiter
Številka artikla: BA8659
Založniška številka: BA08659
ISMN: 9790006526543
Georg Philipp Telemann left behind some 23 extant violin concertos and presumably a far greater number of lost ones. Most of them probably originated during his tenure as concertmaster and maestro di cappella at the court of the Duke of Saxe-Eisenach (1708-12) , and thus at a time when German composers were directing their attention to French and increasingly to Italian music.
Although less demanding in their technique (they are well within the reach of amateur orchestras), Telemann's violin concertos stand alongside Bach's in their musical content.
The separate sources are drawn from the Urtext of the Telemann Edition and make these four delightful works available to today's performers.
- First publication in separate scores
- Based on the Urtext from the Telemann Edition
- Also suitable for amateur orchestras

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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