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Rameau, Jean-Philippe: Za´s - Symphonies. Instrumental extracts from the ballet héro´que in a prologue and four acts

score

Edited by Sadler, Graham
Zasedba: Orchestra
Zasedba: 2Fl-Picc/2Fl/2Ob/2bassoon/Tamb/Str/Bc
Obdobje: Baroque
Trajanje: 0:40
Število strani: 64 strani
Weight: 0.267 kg
Založba: Bärenreiter
Številka artikla: BA7564
Založniška številka: BA07564
ISMN: 9790006542000
Zaďs' was Rameau's first opera devoted entirely to la 'féerie' - the enchanted world of Middle-Eastern myth, with its spirits and fantastical aerial beings. Premiered at the Paris Opéra on 29 February 1748, the work was much praised for the strength, elegance and diversity of its music and for the grace of its ballets. Although Cahusac's libretto received some criticism, this delightful work proved popular: it was revived in 1761 and 1769 and was performed over one hundred times during a period of more than two decades.
Presented in the order in which they appear in the opera, the Symphonies are derived from the critical edition of the full score ('Opera Omnia Rameau' IV.15) and retain the bar numbers and reference marks found in that volume. This allows performers to refer where necessary to the critical commentary, which forms part of the full score.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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