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Mozart, Wolfgang Amadeus: Sonata

for Violoncello (Bassoon) and Piano according K. 292 (196c) or for 2 Bass Instruments K. 292 (196c)

playing score

Edited by Berke, Dietrich – Bödeker, Anke – Ferguson, Faye – Leisinger, Ulrich
Transcribed by Töpel, Michael
Zasedba: Violoncello and Piano
Zasedba: Vc/bassoon/piano/Vc/bassoon
Serija: Bärenreiter Urtext
Obdobje: Classic
Težavnost: 3
Weight: 0.118 kg
Založba: Bärenreiter
Številka artikla: BA6974
Založniška številka: BA06974
ISMN: 9790006484195
This edition of Mozart's Sonata for bassoon and violoncello K. 292 (196c) pursues an innovative concept: not only does it reproduce the obbligato parts in a strict observance of the 'Urtext' of the Neue Mozart-Ausgabe, but it also adds a new dimension of sound to the interpretation of the work by providing an additional piano part that is wholly in keeping with the thoroughbass practice which was still very much alive in Mozart's day.
This charming work can be played several ways from this edition: as a duo sonata following the transmitted version, as a solo sonata for violoncello or bassoon with piano accompaniment, and as a small ensemble work for two melody instruments (bassoons or violoncelli or one of each) and piano or harpsichord.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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