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Bach, Carl Philipp Emanuel: The Six Prussian Sonatas

playing score

Edited by Steglich, Rudolf
Zasedba: Piano
Zasedba: piano
Obdobje: Baroque
Težavnost: 3
Število strani: 41 strani
Weight: 0.181 kg
Založba: Bärenreiter
Številka artikla: BA6539
Založniška številka: BA06539
ISMN: 9790006480654
Carl Philipp Emanuel Bach's 'Prussian Sonatas' - so­called after the dedication to Frederick the Great, to whom Bach was court harpsichordist at the time - were published in 1742 by Balthasar Schmid of Nuremberg. Together with the 'Württemberg Sonatas' dedicated to Duke Karl Eugen of Württemberg, which were published two years later, the 'Prussian Sonatas' constitute the most important German keyboard music between Johann Sebastian Bach and Haydn. They rise far above the contemporary fashion for the sentimental or playful Rococo, they are heralds of the spirit of the 'Sturm und Drang' in music and can be said belong to the highpoints of all piano music.
The publication of the 'Prussian Sonatas' edited by Rudolf Steglich in 1928 is a good example for the consideration of musicological as well as practical performance aspects within one edition. With this present special edition, the publisher complies with the request for a reprint of the Sonatas which have been unavailable for a lon g time.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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