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Berlioz, Hector: Roméo et Juliette

Symphonie dramatique

vocal/choral score

Op. 17
Words by Deschamps, Emile – Shakespeare, William
Edited by Holoman, D. Kern
Transcribed by Wernhard, Eike
Zasedba: Vocal
Zasedba: ASolo/TSolo/BSolo/KlMixed choir: ATB/2GrMixed choir: STB/Orch
Serija: Bärenreiter Urtext
Obdobje: Romantic
Trajanje: 0:30
Weight: 0.496 kg
Založba: Bärenreiter
Številka artikla: BA5458-90
Založniška številka: BA05458-90
ISMN: 9790006493326
For his third symphony 'Roméo et Juliette' (1839) Berlioz turned to his greatest literary passion, Shakespeare, drawing once again on his own most fervent experiences.Berlioz's discovery of Shakespeare in 1827 had been overwhelming not only for the dramatic force of the poetry and drama, but also because the leading actress of the company, Harriet Smithson, immediately won his heart. She later became his wife.
He began to think seriously about composing some kind of musical 'Romeo and Juliet' but it was not realised until 1839. The symphony is scored for double chorus (to represent the two warring families), solo voices as secondary characters, with the lovers themselves represented by the orchestra.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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