Bach, Johann Sebastian: Notebook for Wilhelm Friedemann Bach
playing score
The Notebook For Wilhelm Friedemann Bach is a collection of Keyboard music compiled by Johann Sebastian Bach for his eldest son WilhelmFriedemann.
The collection consists of versions of the Two- and Three-part Inventions plus earlier versions of 11 preludes from the Well-Tempered Klavier along with several chorale preludes, a few transcriptions of othercomposers' works, and possibly some original compos
Vsebina | ||
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1. | 4 Faksimiles | |
2. | Claves signatae | |
3. | Explication unterschiedlicher Zeichen | |
4. | Applicatio, BWV 994 | |
5. | Praeambulum 1 BWV 924 | |
6. | Wer nur den lieben Gott lässt walten, BWV 691 | |
7. | Praeludium 2 BWV 926 | |
8. | Jesu, meine Freude, BWV 753 | |
9. | Allemande 1 BWV 836 | |
10. | Allemande 2 BWV 837 | |
11. | Praeambulum BWV 927 | |
12. | Praeambulum BWV 930 | |
13. | Praeludium BWV 928 | |
14. | Menuet 1 BWV 841 | |
15. | Menuet 2 BWV 842 | |
16. | Menuet 3 BWV 843 | |
17. | Praeludien aus "Das Wohltemperierte Klavier I" (veränderte Fassungen): BWV 846a-851, 853-857 | |
18. | Piece pour Clavecin, composée par J. C. Richter- Praeludium ex c BWV 924a | |
19. | Praeludium ex d BWV 925 | |
20. | Praeludium ex eBWV 932 | |
21. | Praeludium BWV 931 | |
22. | Bass-Skizze in g-moll BWV fehlt | |
23. | Fuga a3 BWV 953 | |
24. | Praeambulum 1-15 (Zweistimmige Inventionen) BWV 772-786 | |
25. | Suite A-dur von G.Ph. Telemann, BWV 824 | |
26. | Partita di Signore Steltzeln(mit Menuet-Trio BWB 929) | |
27. | Fantasia 1-15 (Dreistimmige Sinfonien) BWV787-801 |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
