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Mozart, Wolfgang Amadeus: Missa brevis

vocal/choral score

Transcribed by Focke, Martin
Edited by Senn, Walter
Zasedba: Vocal
Zasedba: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/2Trp/3trombone/2V/Bassi(Vc/Basso/bassoon)/Org
Serija: Bärenreiter Urtext
Obdobje: Classic
Težavnost: 3
Število strani: 43 strani
Weight: 0.139 kg
Založba: Bärenreiter
Številka artikla: BA4770-90
Založniška številka: BA04770-90
ISMN: 9790006456178
The 'Missa brevis in F major' K. 192, which can be regarded as a pinnacle of Mozart's early masses, has been nicknamed 'Little Credo Mass' due to the Credo calls interspersed throughout the third movement.
The autograph of the mass is dated Salzburg, 24 June 1774. Mozart intended the mass to be used for Sundays and smaller church holiday services at the Salzburg Cathedral, the archives of which hold the authentic transcription of the parts with amendments made by Mozart.
The parts of the two clarions added by Mozart at a later time were apparently written in haste, as is evident from several harmonic progression errors (parallel fifths and parallel octaves). They were first evaluated in the 'New Mozart Edition' (NMA) by Walter Senn and have been printed in this edition in smaller typeface.
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In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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