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Mozart, Wolfgang Amadeus: The Magic Flute KV 620

vocal/choral score

Arranged by Schelhaas, Martin
Transcribed by Schmidt, Christian Martin
Words by Schikaneder, Emanuel
Zasedba: Opera, Vocal
Zasedba: 6SSolo/3Knabenvoicemme/4TSolo/5BSolo/4speaker/Mixed choir/2Fl/Fl-Picc/2Ob/2clarinet/2BaHn/2bassoon/2Hn/2Trp/3trombone/timpani/Glsp/Str
Serija: Bärenreiter Urtext
Obdobje: Classic
Jezik: German
Trajanje: 2:00
Weight: 0.724 kg
Založba: Bärenreiter
Številka artikla: BA4553-90
Založniška številka: BA04553-90
ISMN: 9790006450510
This new vocal score is based on the Urtext score from the 'New Mozart Edition' (NMA II/5/19) edited by Gernot Gruber and Alfred Orel as well as on the latest scholarly research from the Critical Commentary by Rudolf Faber published in 2006.
The Magic Flute remains Mozart's most popular opera worldwide to this day. Schikaneder's Freihaustheater auf der Wieden was a theatre in the suburbs of Vienna . It was a kind of people's theatre with a corresponding repertoire and its attraction for the public was due not least to the use of spectacular stage effects. The concept ‚machine-comedy' refers to the theatrical genre to which 'The Magic Flute' owes its origins, and to which the work originally belonged. The premiere was given on 30 September 1791, conducted by Mozart.
 
With this new edition, Barenreiter has now published vocal scores to all Mozart's stage works in revised or new editions. These editions offer a historically grounded working basis and will be decisive for Moza rt reception for the forthcoming decades.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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