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Mozart, Wolfgang Amadeus: Don Giovanni K. 527

Il dissoluto punito ossia il

vocal/choral score

Words by Da Ponte, Lorenzo
Translated by Dürr, Walther
Transcribed by Kluge, Hans Georg
Edited by Plath, Wolfgang – Rehm, Wolfgang
Zasedba: Vocal
Zasedba: 3SSolo/TSolo/BarSolo/3BSolo/Mixed choir/2Fl/2Ob/2clarinet/2bassoon/2Hn/2Trp/3trombone/timpani/Mand/Str/harpisc./Bühnenmusik: 2Ob/2clarinet/2bassoon/2Hn/Str
Serija: Bärenreiter Urtext
Obdobje: Classic
Weight: 1.392 kg
Založba: Bärenreiter
Številka artikla: BA4550-90
Založniška številka: BA04550-90
ISMN: 9790006450459
This practical vocal score of Mozart's towering operatic masterpiece, Don Giovanni, contains the original Prague version of 1787, whose musical and dramatic unity makes it infinitely preferable to any 'mixed version'.
His changes for the Vienna performances of 1788 are reproduced in an appendix.
The vocal score incorporates the recent research findings published in the critical report to the 'New Mozart Edition' (II/5/17, 2003), thereby satisfying the most discerning reader.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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