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Mozart, Wolfgang Amadeus: Betulia liberata (NMA) 4/2

Azione sacra in two parts

score

Words by Metastasio, Pietro
Edited by Tagliavini, Luigi Ferdinando
Zasedba: 3SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/2Fl/2Ob/2bassoon/4Hn/2Trp/Str/Bc/harpisc.
Serija: Wolfgang Amadeus Mozart. Neue Ausgabe sämtlicher Werke (NMA)
Obdobje: Classic
Weight: 1.19 kg
Založba: Bärenreiter
Številka artikla: BA4521-01
Založniška številka: BA04521-01
ISMN: 9790006449668
The material for Mozart's azione sacra is taken from the Old Testament book of Judith, the story of the beautiful Israelite who steals into the enemy camp of the Assyrians and decapitates their sleeping commander, Holofernes .
Often called a stroke of genius by the fifteen-year-old Mozart, Betulia liberata brooks comparison with his early operas in every respect. But Mozart was evidently concerned to distinguish between an azione sacra and an azione teatrale in the music itself, e.g. in the accompanied recitatives and the sacred aura of the final chorus.
Based on the 'New Mozart Edition', this vocal score provides a reliable musical text and a piano reduction that lies well under the fingers.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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