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Händel, Georg Friedrich: Ariodante

Opera in 3 acts

vocal/choral score

Edited by Burrows, Donald
Transcribed by Köhs, Andreas
Zasedba: Vocal
Zasedba: 2SSolo/MezSolo/ASolo/TSolo/BSolo/Ch/Orch
Serija: Bärenreiter Urtext
Obdobje: Baroque
Weight: 0.691 kg
Založba: Bärenreiter
Številka artikla: BA4079-90
Založniška številka: BA04079-90
ISMN: 9790006532858
'Ariodante' was the first work which Handel composed for the Theatre Royal in Covent Garden after his contract with the King's Theatre, Haymarket ran out in mid-1734. '
'Ariodante' stands out amongst Handel's opera works by means of its combination of excellent and challenging music coupled with a first-class plot. There is probably no other Handel opera which contains such a wealth of striking and catchy arias as are found in the first act of ' Ariodante ' alone. The three wide-ranging arias composed for the castrato Carestini are amongst the greatest bravura pieces.
The plot is based on an episode in Ariosto's epic ' Orlando furioso ' (1516). The central event of the drama, the trick with which Duke Polinesso convinces his commander Ariodante that Ginevra is unfaithful, was also used by Shakespeare in 'Much Ado About Nothing'.
The vocal score is based on Donald Burrows' 2007 Urtext edition in the 'Halle Handel' Edition (Series II/32). It therefore reflects the latest in mu sicological research.
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During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

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