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Händel, Georg Friedrich: Rinaldo

Opera in 3 acts

vocal/choral score

Translated by Brenner, Peter
Words by Rossi, Giacomo (nach Aaron Hill)
Edited by Kimbell, David R. B.
Transcribed by Rot, Michael
Zasedba: Vocal
Zasedba: 5SSolo/MezSolo/2ASolo/TSolo/BSolo/Fl-Picc/2Fl/2Ob/bassoon/4Trp/timpani/harpisc.-solo/v-solo/Str/Bc
Serija: Bärenreiter Urtext
Obdobje: Baroque
Weight: 0.527 kg
Založba: Bärenreiter
Številka artikla: BA4033-90
Založniška številka: BA04033-90
ISMN: 9790006504206
Handel's Rinaldo is a magic opera typical of the Baroque, with a large cast and many spectacular effects. Ever since its premiere it has triumphed on the stage.
The idiomatic piano reduction, based on the Urtext of the Halle Handel Edition, and the excellent page layout offer an optimum basis for professional performances at the highest level. The new German translation by Peter Brenner, one of the most highly regarded Writers in this field, closely follows the rhyme pattern and metrical scheme of the Italian original while remaining fresh and natural.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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