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Smetana, Bedrich: Macbeth

for Piano

playing score

Edited by Gabrielová, Jarmila
Zasedba: Piano
Zasedba: Piano
Serija: Bärenreiter Urtext
Obdobje: Romantic
Težavnost: 6
Weight: 0.136 kg
Leto izdaje: 2018
Založba: Bärenreiter
Številka artikla: BA11537
Založniška številka: BA11537
ISMN: 9790260108370

Smetana’s piano sketch Macbeth, also known as Macbeth and the Witches, after William Shakespeare’s tragedy, originated in 1859 while the composer was living in Sweden. Some scholars believe that it was meant to be scored forfull orchestra. The work’s dark and gloomy mood is connected with the death of Smetana’s wife Katharina on 19 April 1859.

Macbeth only appeared in print posthumously in 1912. It soon entered the piano repertoire, and in thecourse of the 20th century it was scored for

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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