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Martinu, Bohuslav: Concerto

for Violin and Orchestra

piano score

Transcribed by Šolc, Karel
Zasedba: Violin and Piano
Zasedba: V-solo/Orch
Težavnost: 4
Weight: 0.26 kg
Leto izdaje: 2016
Založba: Bärenreiter
Številka artikla: BA11529-90
Založniška številka: BA11529-90
ISMN: 9790260107953
After hearing the Boston Symphony Orchestra perform Martinu’s Symphony No. 1 in New York, Mischa Elman commissioned the composer to write a violin concerto for him. Martinu thereupon composed his Second Violin Concerto in 1943. That same year Elman played the solo part at the premiere, with Sergei Koussevitzky conducting the Boston Symphony Orchestra. This piano reduction is based on the musical text of the first edition. The solo part has been revised by a leading Czech violinist and performer
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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