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Dvořák, Antonín: Streichquartett

parts

Op. 51
Edited by Schick, Hartmut
Zasedba: String Quartet
Zasedba: 2V,Va,Vc
Serija: Bärenreiter Urtext
Obdobje: Romantic
Težavnost: 3
Weight: 0.292 kg
Leto izdaje: 2019
Založba: Bärenreiter
Številka artikla: BA11523
Založniška številka: BA11523
ISMN: 9790260108578
When Antonín Dvorák started composing his String Quartet No.10 in late 1878, none of his quartets had yet been performed. However this new work, deliberately cast in the ''Slavonic'' style, quickly achieved international renown and has remained among one of the most popular string quartets by Dvorák. The authoritative Dvorák scholar Hartmut Schick has consulted all accessible sources, most notably the printed score published by Simrock and the autograph. Now, after many decades, a definitive
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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