Cabanilles, Joan: Ausgewählte Orgelwerke, Band III
playing score
Joan Cabanilles was cathedral organist in Valencia and the towering figure in Spanish organ music of the late 17th century. His brilliant and diverse musical language, rooted in the traditional sounds of Spain, has not managedto reach a large audience outside the Iberian peninsula, although he is often called ''a musician of European stature''.
The aim of this three-volume Urtext edition is to grant access to his most appealing works. To this end,all available sources in the libraries
Vsebina | ||
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1. | Versos de s│ptimo tono para Salmos [Cabanilles, Joan] | |
2. | Versos para el Himno "Sacris solemniis" [Cabanilles, Joan] | |
3. | Versos para "Missa per annum" [Cabanilles, Joan] | |
4. | Paseos de tercer tono [Cabanilles, Joan] | |
5. | Pasacalles de primer tono [Cabanilles, Joan] | |
7. | Pasacalles de cuarto tono [Cabanilles, Joan] | |
8. | Gallardas de primer tono [Cabanilles, Joan] | |
9. | Gallardas de tercer tono [Cabanilles, Joan] | |
10. | Tocata de mano izquierda de quinto tono [Cabanilles, Joan] | |
11. | Tocata de quinto tono [Cabanilles, Joan] | |
12. | Diferencias de Fol!as [Cabanilles, Joan] | |
13. | J cara [Cabanilles, Joan] |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
