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Couperin, François: Pi?ces de clavecin. Troisi?me livre for Harpsichord (1722) (with 4 Concerts royaux)

score

Zasedba: Harpsichord
Zasedba: Cemb
Obdobje: Baroque
Težavnost: 5
Število strani: 153 strani
Leto izdaje: 2021
Založba: Bärenreiter
Številka artikla: BA10846
Založniška številka: BA10846
ISMN: 9790006505630
Following the first two volumes of the pioneering new edition, Barenreiter now presents Couperin's 'Troisieme livre' of the 'Pieces de clavecin' (1722) edited by Denis Herlin. In addition to the six 'Ordres', the edition also contains the four 'Concerts royaux'. For this new Urtext edition, for the first time, Herlin has evaluated the many reprints of the original edition, most of which he unearthed himself in international libraries. All variants are meticulously recorded in the Critical Commentary (Eng).
The comprehensive edition contains an extensive Introduction, notes on historical performance practice and a glossary (all in Fr/Eng) as well as numerous facsimile illustrations. The engraving preserves essential characteristics of the original print while largely dispensing with page-turns.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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