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Rossini, Gioacchino Antonio: The Barber of Seville

Commedia in due atti (comedy in 2 acts)

vocal/choral score

Transcribed by Baumann, Rasmus
Edited by Brauner, Patricia B.
Translated by Bletschacher, Richard
Words by Sterbini, Cesare (nach Pierre-Augustin Caron de Beaumarchais)
Zasedba: Vocal
Zasedba: Voc./Ch/Orch
Serija: Bärenreiter Urtext
Weight: 1.522 kg
Založba: Bärenreiter
Številka artikla: BA10506-90
Založniška številka: BA10506-90
ISMN: 9790006505449

Rossinis “Barbier von Sevilla'' ist sicher das bekannteste Werk des Komponisten und eine der meistgespielten Opern überhaupt. Der vorliegende Klavierauszug folgt der kürzlich erschienenen und viel beachteten Urtextedition (BA10506) im Rahmen der Werkausgabe “Works of Gioachino Rossini'' und ist in zwei Versionen erhältlich: italienisch-deutsch und italienisch-englisch.

Beide Versionen des Klavierauszuges bieten jeweils überarbeitete undmodernisierte sangbare Übersetzungen in Deutsch bzw

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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