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Sassmannshaus, Egon: Bärenreiter's Cello Collection

Concert pieces for cello and piano

piano score

Edited by Sassmannshaus, Christoph
Instrument: Violoncello and Piano
Instrumentatie: Vc/piano
Limba: English, German
Nivel: 2
Greutate: 0.368 kg
Publicat pentru prima data: AMCETi
Editor: Bärenreiter
Numar articol: BA9695
Numarul original al articolului la editor: BA09695
ISBN: 9790006536580
In the line with the series Barenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák's Humoresque, Mendelssohn Bartholdy's Song without Words, Fauré's Berceuse and The Swan by Camille Saint-Saëns.
The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition, Egon Sassmannshaus.
- Pieces for solo cello with piano accompaniment
- Easy to medium difficulty
- Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999)
A selection:
Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan

Continut

1.
Achille Simonetti: Madrigal
2.
Ludwig Van Beethoven: Minuet 
3.
Antonin Dvorak: Humoresque
4.
Hugo Wolf: Wiegenlied
5.
George Goltermann: Notturno
6.
Julius Klengel: Sarabande
7.
Felix Bartholdy Mendelssohn: Song without Words
8.
Gabriel Faure: Sicilienne
9.
Camille Saint-Saens: The Swan
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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