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Speckert, George A.: The Roots of Jazz

for two Violoncellos

playing score

Instrument: Violoncellos
Instrumentatie: 2Vc
Serie: Ready to Play
Nivel: 3
Greutate: 0.17 kg
Editor: Bärenreiter
Numar articol: BA10649
Numarul original al articolului la editor: BA10649
ISBN: 9790006567003

Speckert’s popular ''The Roots of Jazz'' collection of jazz pieces and styles for violin and violoncello now comes in an edition for two violoncellos.

Whether it be arrangements of originals such as ''The Entertainer'' (ScottJoplin), ''Hot Tiger Rag'' (Nick la Rocca), ''St Louis Blues'' (W. C. Handy), ''Nobody Knows The Trouble I've Seen'' (trad) or original compositions by George Speckert, these pieces not only have catchy tunes and snappy rhythms, they’realso easy to play. Exciting st

Continut

1.
Blossom
2.
Peace Anthem
3.
Illusion
4.
Ballad
5.
Wavering Minds
6.
Chasing the Field
7.
Manodharma
8.
Kanda Nadai
9.
Watch Your Step
10.
Rhythmic Explorations
11.
Swan River
12.
Abogi
13.
Dancing Cat no. 1
14.
Colourful
15.
Little Woods
16.
Squirrel
17.
Sweet Seven
18.
Kanda Nada
19.
Mahati Song
20.
Neat Nine
21.
Bird and Dog
22.
Dancing Cat no. 2
23.
Rhythmic Colours
24.
Kanda
25.
Tisra
26.
Chatusra (Hide and Seek)
27.
Raga Scales
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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