Deutsch
Español
Français
Magyar
Polski
Română
Slovenský
Slovenščina
中文
Scarlatti, Domenico: 200 Sonate per clavicembalo (pianoforte) 4
Parte quarta (No. 151-200)
Edited by Balla György
Setting: Piano
Series: EMB Urtext
Period: Baroque
Language: English, German, Hungarian
Length: 188 pages
Format: 23 x 30,2 cm (Bach)
Weight: 0.566 kg
Published: 1979
Publisher: Editio Musica Budapest Zeneműkiadó
Item number: 8666
ISMN: 9790080086667
The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick numbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.) ABRSM Cello Syllabus title, 2013-14, Grade 8
This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.
Contents | ||
|---|---|---|
| 151. |
K 443, L 418
ABRSM Grade 8.A.10 Piano (2023-), ABRSM Grade 8.A.15 Piano (2025-) |
|
| 152. |
K 444, L 420
|
|
| 153. |
K 445, L 385
|
|
| 154. |
K 446, L 433
|
|
| 155. |
K 449, L 444
|
|
| 156. |
K 450, L 338
|
|
| 157. |
K 456, L 491
|
|
| 158. |
K 457, L 292
|
|
| 159. |
K 460, L 324
|
|
| 160. |
K 461, L 8
|
|
| 161. |
K 466, L 118
|
|
| 162. |
K 467, L 476
|
|
| 163. |
K 472, L 99
|
|
| 164. |
K 473, L 229
|
|
| 165. |
K 476, L 340
|
|
| 166. |
K 477, L 290
|
|
| 167. |
K 478, L 12
|
|
| 168. |
K 479, L S.16
|
|
| 169. |
K 480, L S. 8
|
|
| 170. |
K 484, L 419
|
|
| 171. |
K 488, L S. 37
|
|
| 172. |
K 489, L S. 41
|
|
| 173. |
K 490, L 206
|
|
| 174. |
K 491, L 164
|
|
| 175. |
K 492, L 14
|
|
| 176. |
K 497, L 146
|
|
| 177. |
K 498, L 350
|
|
| 178. |
K 501, L 137
|
|
| 179. |
K 502, L 3
|
|
| 180. |
K 507, L 113
|
|
| 181. |
K 508, L 19
|
|
| 182. |
K 513, L S. 3
|
|
| 183. |
K 514, L 1
|
|
| 184. |
K 515, L 255
|
|
| 185. |
K 518, L 116
|
|
| 186. |
K 519, L 475
|
|
| 187. |
K 520, L 86
|
|
| 188. |
K 521, L 408
|
|
| 189. |
K 524, L 283
|
|
| 190. |
K 525, L 188
|
|
| 191. |
K 530, L 44
|
|
| 192. |
K 531, L 430
|
|
| 193. |
K 532, L 223
|
|
| 194. |
K 533, L 395
|
|
| 195. |
K 542, L 167
|
|
| 196. |
K 543, L 227
|
|
| 197. |
K 544, L 497
|
|
| 198. |
K 545, L 500
|
|
| 199. |
K 550, L S. 42
|
|
| 200. |
K 551, L 396
|
|
EMB Urtext Series
The volumes of this series go back to the contemporary sources and attempt to come as near as possible to the composers' original intentions, stripping the works of the frequently arbitrary editorial markings which they became burdened with over the course of several decades. The necessary emendations and information on techniques are distinguished unambiguously from the original music text. The use of urtext editions appear as basic requirements on the part of music teachers and performers alike.
