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Gluck, Christoph Willibald: Orpheus and Eurydice

Opera in 3 acts

Vocal/choral score

Edited by Abert, Anne Amalie – Finscher, Ludwig
Transcribed by Moehn, Heinz
Words by Calzabigi, Ranieri de'
Translated by Swarowsky, Hans
編成: Vocal
編成: 2SSolo/ASolo/Mixed choir-SATB/ballet/2Fl/2Cha/2Ob/2EnglHn/2bassoon/2Kor/2Hn/2Trp/3trombone/timpani/harp/2V/harpisc./Vc/double bass
シリーズ: Bärenreiter Urtext
時代: Romantic
難易度: 3
演奏時間: 2:05
重量: 0.504 kg
出版年: 2014
出版社: Bärenreiter
カタログ番号: BA5845-90
出版社管理番号: BA05845-90
ISMN: 9790006558735

The premiere of the Azione teatrale &ldquo,Orfeo ed Euridice&rdquo, took place in Vienna in 1762 and plays a significant role in the history of the music theatre.

With this work, the composer for the first time rejectedthe rigid conventions of the Italian opera seria and made an important first contribution towards the renewal of opera genre.

In collaboration with his librettist Calzabigi, Gluck reduced the plot to its essentials andfreed it from the typical political and romant

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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