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Schubert, Franz: Overture (Quintet)

Parts

Edited by Chusid, Martin
編成: Chamber Ensemble
編成: 2V/2Va/Vc
シリーズ: Bärenreiter Urtext
時代: Romantic
難易度: 4
重量: 0.092 kg
出版社: Bärenreiter
カタログ番号: BA5637
出版社管理番号: BA05637
ISMN: 9790006499236
Composed in 1811, this early work is Schubert's only string quintet calling for two violas. lt was probably modelled on the once popular overture to Cherubini's opera Faniska. Our edition presents the work for the first time in parts based on the New Schubert Edition. Unlike earlier editions, it reproduces Schubert's original articulation and phrase-markings, with erroneous diminuendo hairpins replaced by his original accent marks. The result is a new and refreshing transparency of texture. For the first time, the many variant readings are included in the parts in straightforward ossia passages.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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