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Mozart, Wolfgang Amadeus: La clemenza di Tito (NMA). II/5/20

Opera seria in 2 acts

Score

Edited by Giegling, Franz
Words by Mazzola, Caterino
編成: 4SSolo/TSolo/BSolo/Mixed choir-SATB/2Fl/2Ob/2clarinet/clarinet-B/BaHn/2bassoon/2Hn/2Trp/timpani/2V/2Va/Vc/double bass/Bc
シリーズ: Wolfgang Amadeus Mozart. Neue Ausgabe sämtlicher Werke (NMA)
時代: Classic
言語: German
重量: 1.833 kg
出版社: Bärenreiter
カタログ番号: BA4554-01
出版社管理番号: BA04554-01
ISMN: 9790006450527
As remarkable as the quality of the compositions themselves is the astonishing rapidity with which Mozart composed his last two great operas, 'Die Zauberflöte', K.620, and 'La clemenza di Tito', K.621: From first sketches and drafts to finished products, some 800 pages of music penned within the six-month period from April to September 1791.
Opinions of the work at the time of its premiere are as varied as the history of its reception. As a 'coronation' opera it initially lent itself to court festivities everywhere, and because of its aspect of 'clemency', to charitable events. It survived in its own right as opera seria through the first two decades of the 19th century, then, but for occasional performances (these sometimes with altered or added texts), fell into obscurity for the next 150 years.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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