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Händel, Georg Friedrich: Rodrigo (Vincer se stesso e la maggior vittoria) (HHA) II/2

Opera in 3 acts

Complete edition

Edited by Heyink, Rainer
編成: 4SSolo/TSolo/ASolo/Orch
シリーズ: Halle Handel Edition
時代: Baroque
重量: 1.426 kg
出版社: Bärenreiter
カタログ番号: BA4083
出版社管理番号: BA04083
ISMN: 9790006497768
Rodrigo' was premiered in autumn 1707 in Florence and is therefore one of Handel's early stage works. The composer, only 22 years old, wrote a densely-woven musical scenario for his first opera composed in Italy .
It masterfully portrays the dramatic states of mind of the protagonists surrounding the Iberian tyrant Rodrigo and the plot full of deception, betrayal , adultery, war as well as the transformation wrought by Rodrigo's abdication. The work was not, as was long thought, a commission from the Prince of Medici. Despite this, ' Rodrigo' seems to have been so popular that Handel extended his stay in Italy and was able to compose several operas during the following period. In ' Rodrigo' , the mastery which made Handel's succeeding opera ' Agrippina' such a success, is already clearly evident .
' Agrippina' consequently made Handel's name famous throughout Europe and soon led to his first journey to London .
The new vocal score is based on Volume II/2 of the 'Halle Handel E dition' (BA 4083). The appendix contains the surviving variants in the versions of the first performances from Handel's lifetime.
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During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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