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Frescobaldi, Girolamo: Frescobaldi, The first book of Capricci, Ricercari and Canzoni

Playing score

Edited by Pidoux, Pierre
編成: Keyboard
編成: Org/piano/harpisc.
時代: Baroque
難易度: 3
演奏時間: 0:02
ページ数: 94ページ
重量: 0.421 kg
出版社: Bärenreiter
カタログ番号: BA2202
出版社管理番号: BA02202
ISMN: 9790006418633
His contemporaries praised Frescobaldi as an organist, improviser and composer of exceptional talent. His first book of Capricci, Ricercari and Canzoni 1626 is presented here in an authentic version.
The work was published during the composer's lifetime and moreover, without alteration by Vincenti in Venice, 1942. This edition is based on the edition of 1942 as its main source, in doubtful passages the editors compare with earlier editions.
The four parts which Frescobaldi printed in score on four staves have been reduced to two staves, but endeavouring to show the progression of parts as clearly as possible where they cross. Frecobaldi's very informatory Preface 'A gli Studiosi dell' opera' is given in full, translated in English and German.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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