This educational aid is called forth to enrich the repertoire of the ensemble class at school, where the lack of useful and worthwhile music is felt indeed.

We tried to select compositions referring to different epochs and styles - from early and classics to modern ones.
Domra (mandolin) and guitar are mutually complementary in duet, mainly because of the sound palette. Thus it's worth for them to make music together, for there are formed the bass, accompaniment and solo part.

All the pieces entering this collection were successfully performed in numerous festivals, competitions and concerts. Therefore we invite the students of the music schools, art colleges, lyceums and gymnasiums, so as the first two courses of the music faculties to learn this musical collection of ours and to enhance the repertoire at the ensemble class.

Contents:

Anonymous. Hunters’ Dance. From the English lute music of the 16th century. Arranged for domra and guitar duet b y A. Potapova
J. Mertz. Three Pieces. Arranged for domra and guitar duet by A. Potapova
1. Adagio
2. March
3. Andante
M. Giuliani. Three Duets. Arranged for domra and guitar duet by D. Trofimov
C. Machado. Shoro. Arranged for domra and guitar duet by D. Trofimov. Domra part’s edition by N. Suslova
F. Minisetti. Night in Venice. Barcarolle. Arranged for domra and guitar duet by D. Trofimov. Domra part’s edition by A. Potapova
D. Semensato. Shoro. Arranged for domra and guitar duet by D. Trofimov. Domra part’s edition by N. Suslova
J. Arcas. Bolero. Transcription by D. Trofimov. Domra part’s edition by N. Suslova
M. Carcassi. Siciliana. Transcription by D. Trofimov. Domra part’s edition by N. Suslova
F. Schubert. Original Dance for flute and guitar. Arranged for domra and guitar duet by A. Potapova
F. Chopin. Mazurka No 16. Transcription by D. Trofimov
Oj, mame, shlog mikh nit. Jewish folk song. Transcription by D. Trofimov