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Edmondson, Margaret: Classic Hits

for 2 Cellos

playing score

Instrumentation: Violoncelles
Instrumentation: 2Vc
Collection: Ready to Play
Degré de difficulté: 3
Poids: 0.227 kg
Editeur: Bärenreiter
Numéro d’édition: BA10611
Cotage de l'editeur: BA10611
ISMN: 9790006542529

Popular themes from works by Classical and Romantic composers have been arranged for two violoncellos, with added bowing and fingering. The pedagogic value of these easy arrangements lies primarily in the equal treatment ofboth parts.

Contents

Carl Maria von Weber, ''Jägerchor'' (from ''Der Freischütz'') / Wolfgang Amadeus Mozart, ''Das klinget so herrlich'' (from ''The Magic Flute'') / Franz Schubert, ''Wiegenlied'' (''CradleSong'') / Ludwig van Beethoven, ''Ode

Contenu

1.
Away In A Manger
2.
Deck The Halls
3.
God Rest Ye Merry, Gentlemen
4.
Good King Wenceslas
5.
Hark! The Herald Angels Sing
6.
It Came Upon The Midnight Clear
7.
Jingle Bells
8.
Joy To The World
9.
O Come Emmanuel
10.
O Come, All Ye Faithful
11.
O Little Town Of Bethlehem
12.
Silent Night
13.
The Christmas Scale Duet
14.
The First Noel
15.
The Huron Indian Carol
16.
We Three Kings
17.
What Child Is This?
18.
While Shepherds Watched Their Flocks
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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