Following the revision of our facsimile of the Piano Sonata in b minor (HN 3227) in 2015, we are now proud to present the corresponding new Henle Urtext edition. With the help of the splendid facsimile reproduction we were able to analyse severalpassages in the autograph more reliably, in addition the editor Ernst Herttrich not only consulted the first edition but also a copy of a student of Liszt’s, in which the composer had made entries in his own hand. Clara Schumann reacted with a lackof und