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Michna z Otradovic, Adam Václav: Officium vespertinum - pars III - Compositiones ad honorem B. M. V. 8

complete edition

Arreglo: Voice, choir and orchestra
Instrumentación: Voc./Mixed choir/Org
Peso: 0.366 kg
Editorial: Bärenreiter
Nº de artículo: H7979
Nº de editorial: H07979
ISMN: 9790260103009
The Officium vespertinum from 1648 consists of twenty-two pieces. This is the last volume of the first modern edition of Michna's recently completed and listed cycle of sacred pieces devoted to the honour of St Mary. It contains two different versions of the Magnificat canticum, the Marian antiphons Alma Redemptoris Mater, Ave Regina caelorum, Regina caeli laetare, Salve Regina, Sub tuum praesidium and the Loretan litany. In the end are attached Falsi bordoni for a possible recitation of psalms which do not have a musical version in the preceding psalm volumes.
The scores include the mixed choir, the solo voice, the original figured bass and a modern suggestion of its realization. Instruments can be added ad libitum according to the period performance practice.
The edition, including the basso continuo part was prepared for publication by Vratislav Belsky, the author of the foreword is Jiri Sehnal.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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