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Dvořák, Antonín: Rondo

playing score

Op. 94
Arreglo: Violoncello and Piano
Instrumentación: Vc/piano
Época: Romanticismo
Peso: 0.15 kg
Editorial: Bärenreiter
Nº de artículo: H1487-90
Nº de editorial: H01487-90
ISMN: 9790260105119
Before his departure for America, Dvorak organised a lengthy concert tour by way of a farewell gesture. The Rondo in G minor for Violoncello and Piano was written for this occasion for the composer's colleague from the Prague Conservatoire, professor Hanus Wihan.
The piece is full of Dvorak's typical charm, where the minor key in the outer movements reflects the sense of melancholy preceding a journey to far-flung regions of the world.
This title is part of the first Complete Critical Edition of Works by Antonin Dvorak.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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