Giovanni Bottesini (1821-1889) is certainly the most famous of all double bass virtuosi, his compositions are an essential pillar of the literature on this instrument. His Metodo, published in 1870 by Ricordi, is remarkable for the exceptional beauty of its studies which, with effectiveness, good taste and imagination, develop an extraordinarily modern pedagogical vision. For this reason, on the bicentenary of the composer's birth, it seems most opportune to re-propose the studies in the method,