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Fourne, Louis: The Early Works

playing score

Editado por Leersnyder, Brigitte de
Arreglo: Piano
Instrumentación: piano
Época: Romanticismo
Idioma: English, German
Grado: 5
Peso: 0.407 kg
Año de publicación: 2013
Editorial: Bärenreiter
Nº de artículo: BA9611
Nº de editorial: BA09611
ISMN: 9790006535828
Scholarly-critical Urtext edition based on all available sourcesFirst publication of previously unknown compositionsComprehensive critical commentary (Fr/Ger/Eng) including numerous facsimile pagesDetailed foreword (Fr/Ger/Eng) onthe genesis of the works and on performance practiceLouis Vierne was a celebrated organist but throughout his life he was also a keen pianist and composer of piano music. He had a particular feeling for the tonal finesse andriches the instrument offered. The pieces in t
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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