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Froberger, Johann Jacob: Keyboard and Organ Works from Copied Sources: New Sources, New Readings, New Works 2

complete edition

Editado por Rampe, Siegbert
Arreglo: Keyboard, Organ, Piano
Instrumentación: Org/piano/harpisc.
Época: Barroco
Peso: 0.366 kg
Editorial: Bärenreiter
Nº de artículo: BA9213
Nº de editorial: BA09213
ISMN: 9790006540730

Johann Jacob Froberger (1617 67) enjoyed an outstanding reputation during his lifetime, as his compositional style represented a synthesis of Italian, French and English influences. There is now a growing awarenessthat Froberger’s significance for Keyboard music of the 17th century is comparable only with that of Jan Pieterszoon Sweelinck.

Each volume contains a critical commentary as well as a detailed foreword with sectionson the scope and structure of the new editio

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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