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Rameau, Jean-Philippe: Les Paladins RCT 51 -Comédie-ballet in three acts-

Comédie-ballet in three acts

score

Arreglo: Voice, choir and orchestra
Instrumentación: 2Sg-S-solo,3Sg-T-solo,2Sg-Bar-solo,mixed choir-SATB,Tz-Bal,Orch
Época: Barroco
Duración: 02:30:00
Páginas: 537 páginas
Año de publicación: 2021
Editorial: Bärenreiter
Nº de artículo: BA8870-01
Nº de editorial: BA08870-01
ISMN: 9790006567546
Les Paladins' was Rameau's last work premiered at the Académie royale de musique in 1760. Sharply criticized on account of its overtly comical libretto, the work was withdrawn after fifteen performances and was thus one of the most stinging failures in the composer's career. Seen from today's perspective, the public reception is hardly comprehensible for such an inventive work. Radically rejuvenating his writing, Rameau displays a youthful, playful personality, miles away from the critics reproaching him for being nothing but an old man in his dotage. One ban barely imagine such a work coming from the pen of a septuagenarian!
Rameau did not prepare the work for publication, and the 'Śuvres completes' under Camille Saint-Saëns's general editorship did not include the work in the collection issued by Durand. The present volume of 'Opera omnia Rameau' is thus the first edition of Les Paladins.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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