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Rameau, Jean-Philippe: Dardanus RCT 35 B -Tragédie in a Prologue and five Acts- (Version May 1744, Appendix: Versions April 1744, 1760 and 1763

Tragédie in a Prologue and five Acts

score

Arreglo: Voice, choir and orchestra
Instrumentación: 5Sg-S-solo,2Sg-T-solo,4Sg-B-solo,mixed choir-SATB,Tz-Bal,Orch
Época: Barroco
Duración: 03:00:00
Páginas: 59 páginas
Editorial: Bärenreiter
Nº de artículo: BA8868-90
Nº de editorial: BA08868-90
ISMN: 9790006569663
Dardanus' is Rameau's third 'Tragédie lyrique' composed for Paris after 'Hippolyte et Aricie' and 'Castor et Pollux'. With its multi-facetted music it represents quite a high point of this genre. Its performance history is remarkable in that within only five years two clearly different versions were being performed.
The new critical edition by Denis Herlin for the first time offers the possibility to reconstruct the version of May 1744 in addition to the version of 1739. Also, the Appendices include the complete performance material of the version of April 1744, many parts of which could not be heard since. Last but not least the changes of the successful re-staging of 1760 are presented.
100 Years of Bärenreiter

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During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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