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Salieri, Antonio: Prima la musica e poi le parole

Divertimento teatrale in 1 act

vocal/choral score

Editado por Betzwieser, Thomas – La Salvia, Adrian
Transcrito por Müller, Karl – Schellevis, Hans
Letras por Casti, Giambattista
Traducido por Troßbach, Stefan
Arreglo: Vocal
Instrumentación: 2SSolo/2BSolo/2Ob/2clarinet/2bassoon/2Hn/2Trp/2V/Va/Basso/Bc
Serie: Bärenreiter Urtext
Época: Clasicismo
Grado: 3
Peso: 0.594 kg
Año de publicación: 2013
Editorial: Bärenreiter
Nº de artículo: BA8811-90
Nº de editorial: BA08811-90
ISMN: 9790006542826

Paperback vocal score for Antonio Salieri's Prima La Musica E Poi Le Parole.

A memorable musical competition commissioned by the Emperor Joseph II took place on 7 February 1786 as part of afestival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart’s Schauspieldirektor whilst Antonio Salieri’s Prima La Musica E Poi Le Parole was performed by the Italiancourt singers and musicians.

This charming

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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