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Hoorn, Paul: Djelem

11 Arrangements nach Liedern und Tänzen der Roma Osteuropas

score and parts

Instrumentación: Instr-Mel1/Instr-Mel2/Bass/guitar
Grado: 3
Peso: 0.355 kg
Editorial: Bärenreiter
Nº de artículo: BA7664
Nº de editorial: BA07664
ISMN: 9790006524204
Djelem , which translates roughly as 'Forward', has been the official national anthem of the Gypsies since 1971. It appears in this volume along with ten other melodies from South Eastern Europe , with its fascinating interplay of the Sephardic, Bulgarian, Rumanian, Hungarian and Gypsy musical traditions. The themes of the pieces range from deeply sentimental to rousingly vivacious.
All the arrangements make use of the traditional techniques typical of this music and though easy to play sound convincingly authentic. They lend themselves well to contrasting instrumental formats and give the players leeway for their own ideas and interpretation. They sound most authentic when played with a clarinet, violin, guitar and bass. Their catchy dance rhythms and touch of Weltschmerz give rise to a sort of 'Balkan blues', heard to good advantage in the performances of the editor's own ensemble, 'The Blue Unicorn'.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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