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Berlioz, Hector: O Salutaris Hostia

for 4 part Choir and Organ

vocal/choral score

Editado por Macdonald, Hugh
Arreglo: Mixed Voices and Accompaniment
Instrumentación: Mixed choir-SATB/Org
Época: Romanticismo
Idioma: Latin-German
Grado: 3
Páginas: 10 páginas
Peso: 0.037 kg
Editorial: Bärenreiter
Nº de artículo: BA6394
Nº de editorial: BA06394
ISMN: 9790006498680
Hector Berlioz's 'Messe solennelle', which the composer claimed he destroyed, was rediscovered 150 years later completely by surprise in the organ loft of a church in Antwerpand sensationally premiered in the musical capitals of Europe by John Eliot Gardiner. Since then it has found widespread acceptance and been included in the repertoires of oratorio choirs everywhere. The tenth number, 'O salutaris', is ideally suited for performance in church services, and has been arranged for performance with chorus and organ. The Berlioz scholar and musician Hugh Macdonald has successfully transferred BerIioz's colourful orchestral writing into a richly textured part for organ.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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