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Mendelssohn-Bartholdy, Felix: Wer nur den lieben Gott läßt walten

Cantata

score

Editado por Bill, Oswald
Arreglo: Voice, choir and orchestra
Instrumentación: SSolo/Mixed choir-SATB/2V/Va/Vc/double bass/Org ad lib.
Época: Romanticismo
Idioma: Latin-German
Grado: 3
Peso: 0.102 kg
Editorial: Bärenreiter
Nº de artículo: BA6380
Nº de editorial: BA06380
ISMN: 9790006478781
Felix Mendelssohn Bartholdy regarded Bach's sacred works not only as historically vital music worthy of rediscovery and performance, but also as important models for his own compositions. This can be seen in a letter in which Mendelssohn compares his chorale cantata "Wer nur den lieben Gott lasst walten" with Bach's cantata on the same text, commenting: " ... I still find various passages in my work very good, sometimes almost better (but other times less so, of course) and that I even come close to the old Sebastian in certain passages." This is the first edition of this chorale cantata which represents a significant addition to the repertory of 19th-century choral works.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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