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Mozart, Wolfgang Amadeus: Concerto

for Violin and Orchestra

score

Editado por Mahling, Christoph Hellmut
Arreglo: Violin and orchestra
Instrumentación: V-Solo/Orch
Serie: Bärenreiter Urtext
Época: Clasicismo
Duración: 0:29
Peso: 0.279 kg
Editorial: Bärenreiter
Nº de artículo: BA5769
Nº de editorial: BA05769
ISMN: 9790006526734
Mozart's concertos for violin and orchestra belong to that elite group of works determining a violin players abilities , they are elegant and transparent with demanding passage-work. The Concerto in D major K.2 271a,the '6th' Mozart violin concerto, has come down to us in two separate sources, a French set of parts and score copy as well as a Berlin score. The editorial board of the New Mozart Edition considers this concerto to be of doubtful authenticity.
There are however many musicologists who feel that the work has numerous Mozart attributes.
This new publication takes both the above mentioned sources into account and includes the cadenzas from the respective New Mozart Edition volume appendix although these are certainly not from Mozart's pen.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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