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Berlioz, Hector: Orphée

Tragedie (Drame-heroique) in four acts

vocal/choral score

Traducido por Brenner, Peter – Swarowsky, Hans
Letras por Moline, Pierre-Louis
Transcrito por Müller, Heinz
Arreglo: Vocal
Instrumentación: 3SSolo/ASolo/3Mixed choir-SATB/SATTB/SSAB/Orch
Serie: Bärenreiter Urtext
Época: Romanticismo
Peso: 0.449 kg
Editorial: Bärenreiter
Nº de artículo: BA5462-90
Nº de editorial: BA05462-90
ISMN: 9790006526017
Hector Berlioz was enthralled by Gluck and heard his masterpieces Iphigénie en Tauride , Orphée , Alceste , and Armide in Paris .
The original Italian version of Orphée gives the title role to a castrato. Gluck rewrote the part for high tenor for the performances in France . In 1859 Berlioz arranged the opera so that Orpheus could be sung by the great mezzo-soprano Pauline Viardot , with whom he worked closely at that time. He changed the formal design by dividing the work into four instead of three acts and placing the scenes in Hades and the Elysian Fields in separate acts.
He also changed certain sections of Orpheus's part, mainly in the recitatives, and fundamentally reworked Gluck's orchestration.
Berlioz's version of Orphée was published as volume 22a of the New Berlioz Edition in 2005. Our new vocal score is based on that volume.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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